By Dale Titus, Albert Nigro
This ebook & CD package deal is designed to aid aspiring musicians take step one towards experiencing the thrill of enjoying song, and is packed choked with suggestions, classes, and functional wisdom. Contents comprise bass fundamentals, settling on suggestions, universal bass strains, twiddling with a drummer, slap/pop ideas, and examining tune notation and tablature.
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Extra resources for Bass Basics Steps One & Two Combined
The thumb strikes the string, but does not lay on the string. It snaps back away from the string, allowing it to vibrate. Practice slapping the open strings to help establish a good thumb tone. / Y:B Y I I I 4 Tb I 4 Tb I I 4 Tb JTb I I I I 4 4 simile 4 4 I I I I I I I I I I I I I I I I I m I I I I I I I I I I I I I . CD @ Example 17: The Pop The final step to learning this technique is the pop, which is done with the right-hand index finger. This is achieved by pulling the string with the tip of the index finger, snapping it away from the fingerboard.
Example 16: The Slap The next step in this technique is the slap, which is handled by the right hand thumb. The thumb acts like a hammer, striking the string with the outside of the knuckle, near the area on the bass where the neck meets the body. This can be varied for different sounds; for instance, by slapping further back towards the bridge over the pickups gives a brighter, much more open sound, while slapping directly over the neck gives a thinner, tighter sound. The thumb strikes the string, but does not lay on the string.
After working on the 12-bar blues in GI try playing it around the neck in other keys, keeping the same relationship between the notes. Example 7 5 Example 1 5 is a variation of the 12-bar blues and is typical of most rock and roll songs. This example incorporates a similar blues riff as used in the 12-bar blues, but varies the pattern a bit. It is also transposed to the key of A, so the open string notes are used. C C I " A . I C " *Indicates Key of A major - all F's, C's and G's are sharp. n n ~ n n I " n ~ C n I A 7 C I n I " n " a -.